![how to convert mxf files to arri raw in arriraw converter how to convert mxf files to arri raw in arriraw converter](https://blog.frame.io/wp-content/uploads/2018/03/Screen-Shot-2018-02-03-at-11.50.44-PM.png)
In both, I need to desqueeze the footage in FCPX or Resolve. In terms of achieve the best image quality (preservation) how is this compared with shooting on " MFX/ARRIRAW 3.4K" in Anamorphic Lens? My question is, can I shoot my all the footage in " 4:3 ProRes 4:3 2.8K" in Anamorphic Lens and desqueeze the footage in FCPX? Once I have done that, the clip looks like it should. I notice there is Anamorphic setting in FCPX. What resolution should my sequence be? 4096×1716?
#How to convert mxf files to arri raw in arriraw converter Offline#
Now I bring the footage in FCPX for offline editing.
![how to convert mxf files to arri raw in arriraw converter how to convert mxf files to arri raw in arriraw converter](https://s3.manualzz.com/store/data/054097368_1-4dbd9a006050c95a75e431a7fd1159b0.png)
I understand that the footage is shot on Anamorphic with a Lens Squeeze Factor: 2.0. I have downloaded the test footage from Arri. I have some question on 4K DCI Anamorphic delivery and workflow using prores codec verse arriraw. What resolution will I end up with after de-squeeze? It is 2048 x 858? If I can only do in post, what is the exact settings for this for resolve. (OG 3.4K), will i get a in-camera de-squeeze? Or do I only can do it in post. I would like to know more information this work flow. MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:Ĥ:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***Ģ.39:1 Ana. MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):